.jpg)
Jigarthanda is one movie which I was waiting for months, you might ask this is not a star hero film and why I expected for it? There are two reasons, the first one is that I’m a big fan of gangster movies and I really enjoy watching bloodsheds, gang-war and the raw factors in films, thanks to Tarantino’s way of portraying violence with novelty. Second reason is that I loved watching Pizza, this man Karthik Subbaraj amazed me as an excellent script writer and as a film maker- according to me a good script writer is not necessarily to be a good film maker and vice versa…
(Before reading the whole write-up, if you are yet to
watch the film, please don’t read. There are spoilers ahead)
Jigarthanda starts with a man parking his bike before a gate of
a bar/theater, where Sivaji’s Malarum Malaratha song is being played. Four
people surrounds him and this guy gives them a casual look, these four guys
tells him something and starts shooting him. Until, this frame the entire
sequence looked beautiful but soon after that, four dudes who shot the guy are
looking weird- without subtle sharp reaction. Normally, this won’t happen in a
good director’s film and I was shell-shocked, as I have high regards for
Karthik Subbaraj as a great filmmaker. Later in the climax, we are shown that
the entire sequence is a film shoot and the guy who gets shot is Siimha.
We are also shown that director Vetrimaran is filming
this particular scene, the next question is that does a good film maker like
Vetrimaran won’t notice those four weird dude and correct it? , then I realized
that the shot was kept for Siimha in the film and hence the four dudes looking
weird won’t affect the scene in any way. Well, this minute episode is more than
enough to say that Karthik Subbaraj is an intelligent film maker.
Take any gangster film, there will be a super star or well
known actor who used to be either a powerful protagonist or antagonist.
Directors will normally sketch their characters in such a way that they
overshadow the script. Take Nayagan(Kamal), God Father(Al Pacino, Marlon
Brando, Robert De Niro), Puthupettai (Dhanush) as examples, after watching the
movie the immediate reaction from the audience would be “What an acting by the
actor, man he stole the show”. Of course, later people will think and discuss
about the novelty of the script and the making but the immediate reaction will
be on these stars. In Jigarthanda you will praise Siimha for his stellar
performance, you will praise Siddharth for his subtle innocent act and stunning
transformation in the climax but before that you will praise Karthik Subbaraj
for the excellent script writing and making, to be precise Karthik got exactly
what he wanted from his actors for the script and they are not portrayed as
legends/heroes who are better than the script itself.
Jigarthanda has its own positives and negatives, let me
start with the wow moments in the film first. Soon after the four men shooting
one guy episode, we are shown a guy’s back head– who is actually smoking and
smoke popping up. Anyway, the statutory warning is already flashing at the
bottom of screen. Though I’m not sure whether this shot is a way to tease
censor board satirically but then I consider it to be in that way or to
tease organizations which want to ban smoking in films
There were reports that Jigarthanda is a copy of Dirty
Carnival, though I haven’t seen the film my friends who watched both the films
told me that, Dirty Carnival might be an inspiration but Jigarthanda is
definitely not a copy of it.
If Siddharth was shown as an assistant director/ a
director then many of our over enthusiast people would have outraged Karthik
Subbaraj by saying that Jigarthanda is a copy of Dirty Carnival.
Intelligent Karthik Subbaraj used his ‘Naalaya Iyakunar’
program in the film and the character Karthik is shown as one of the
contestants. Also, our own Soodhu Kavvum Nalan Kumarasamy was shown in the
program and when Siddharth meeting the producer who gave him chance, we are
shown Attakathi poster in his office. Remember? CV Kumar’s second film is Pizza
and first film is Attakathi, without answering to every one’s question on
whether Jigarthanda is a copy of Dirty Carnival, Karthik has kept all these
scenes to say that this is his own story. In one of his media interactions,
he has said that Jigarthanda is his own experience and these scenes are the way
to explain that the film’s story is his own experience.
As I said earlier, Siimha’s character is not shown as a
legend or hero. He is shown as an ordinary guy who has became a don but then
not up to the level of Velu Nayagar, God Father or Kokki Kumaru who are shown
as intelligent dons. Here Siimha has his powerful essence but he is shown like
any other ordinary human being, the rustic-ruthless Siimha is shown only when
he is angry, otherwise he is a normal guy.
For example there is a beautiful Tarantino kind of scene –
There is rain and Siimha approaching the washroom- he gets a plate for not
getting his hair wet, the sweeper wishing him and asking for money, the sweeper
also tells him that he has just cleaned first toilet, hence suggest him to use
the particular one, not just once but stressing him again and again. When
Siimha is trying to use the particular toilet, a drunkard signaling him that he
has reserved the toilet and keep on vomiting. Had it been any other film, the
don would have beaten the drunkard.
When Siimha finds another toilet, the drunkard is also
entering the first toilet room and he is getting murdered by repeated bullet
shots, the murderer shouting “die Sethu die” and also confirming to some other
guy in phone that he killed Sethu but he looks lean now. All these time, Siimha
watches the whole thing helpless with a frighten reaction. When Siimha’s gang
reach the spot, the murderer satirically ask them to see the thing happened to
Sethu(Siimha), the gang staring at Siimha(without uttering any word) and then
the murderer understood that he wrongly shot another guy.
When Siimha understands that there is no bullet in the
murderer gun, he silently enters into the toilet. Had it been any other film
Siimha’s character would have bashed the baddie. Similarly if you carefully
watch the film, Siimha beats very rare only during the important portions
otherwise his side-kicks will do the things. That’s how a leader / real don
will be right? Also, while finding the spy inside his gang it is not Siimha who
finds the transmitter inside the mp3 player and he don’t have any clue about
it, Sundaraja character explains him that someone is listening to all the
things which were happened and happening in that particular, then only Siimha
reacts to the situation. This is what we call as honesty in sketching a
character.
During Siimha's life story narration to Siddharth the way
Karthik Subbaraj used Vijay Sethupathi playing Sethu’s(Siimha) character in
Karthik(Siddharth)’s imagination is a novel stuff.
Again, in the climax, Siddharth approaching Vijay
Sethupathi for a film where he should play a don role, remember? Azhuguni
Kumaru is a comic film and Siddharth is yet to film a gangster movie. Also, we
were never shown whether Lakshmi Menon and Siddharth marry each other but soon
after a phone call, Siddharth tells Vijay Sethupathi that his wife
Kayal(Lakshmi Menon) is a big fan of him.
Similarly towards the climax, the shot were Siddharth was
kneeling down in a vast land and the camera moves from the bottom of a car
(reminded me of Se7en climax shot), in that scene Siimha was actually changed
but Siddharth on the other hand will be having a gun, which says that the duo
have interchanged their characteristics.
This interchange is also continued in the climax too,
there is a scene where Siimha asks the daughter of his gang-member (whom he
earlier murdered) to call him 'Appa' which indicates that he has changed and
taking care of the affected family. Similarly Siddharth on the other hand
threatens Vijay Sethupathi with Siimha’s ex- gangsters.
Also, during the last meet up of Siddharth-Siimha , Siimha
asks Siddharth for Mani Ratnam’s number and during the climax shot, he tells a
guy that he want to act in Mani Ratnam’s film.
These minute details are the biggest asset for a cult film
and Karthik Subbaraj has come out with flying colors.
Coming to the negative aspects or the thing which didn’t
appeal to me is that the whole lengthy training episode. Instead of training
episode, if Karthik Subbaraj concentrated more in portraying how Siddharth
filmed the comic Azhguni Raja by cheating Siimha then the film would have been
more interesting. Also, while watching Azhuguni Kumar we are shown that
audience watching the film are laughing but we don’t feel anything. If Karthik
Subbaraj portrayed those scenes in detail, we would have got better impact and
an emotional connect would have been established but now we couldn’t enjoy
Azhuguni Kumar visually, all we hear is people saying it is a cult comic movie.
I can’t complete my write-up without mentioning about Santhosh
Narayan’s background score, easily this is his best till now. He maintained
silence wherever needed and spilled his magic in required situations. The pre
intermission portions, climax just gave goose-bumps to me.
Also cinematographer Gavemic U Ary ‘s work is
breath-taking. The interval shot in rain, the shot where Siimha puts Leonardo
Di Caprio’s mask and kills his enemy with Kate Winslet mask, the climax shot in
the vast land are pure gem.
Overall, I loved Jigarthanda and it is a gutsy-
experimental film.
- Rajasekar S
